Friday, July 26, 2013

Barony of Granite Mountain Arts and Science Collegium Nalbinding Handout.

Basic Nålbinding
M’Lady Raithnat O’Braonain
Also spelled Nälbinding, Naalbinding, Nalbinding, Nailbinding, Nahlbinding, and more…


Introduction
Nålbinding is a weaving technique that was commonly used to produce hats, socks, and mittens, scarves and rugs.  There are a number of differences between nålbinding and knitting.   Most notably, is that nålbinding is done with only one needle and uses short pieces of yarn.   Another difference is that the entire length of the yarn is passed through each stitch.   And the most notable difference is that while in knitting and crochet if you mess up you can just pull the yarn and it will all come out, Nalbinding will not.  Nalbinding is more durable in that if you pull a loose thread it will tighten the knot and not run.  This makes undoing your “oops”’s more challenging.   The earliest finds of nålbinding are from Before our Current Era.   Many examples have been found around the world through the medieval times and into our current fiber arts as well.  

Materials
        Large-eyed, Blunt needle: You can get an actual Nalbinding needle made from anything from metal and plastic to wood or bone, but a tapestry and darning needle will work 
        Yarn:   I find that thicker, fuzzy yarn is easier and works faster, but truly any yarn can be used.
·         Scissors
        Patience and a sense of humor!  I can’t stress this enough while you are learning.


The Stitches

There are many nålbinding stitches and they are all variations on how the yarn is taken up onto the needle.  While there are a few different ways to categorize the known stitches, I will use the names given based on their first discovery and the Hansen system to give you a quick reference on the stitch for later.  There are actually four systems of categorizing stitches from the three main archaeologists of the textiles. First is Margrethe Hald, who categorized based on the total number of loops intersected in a stitch. Egon Hansen typified the stitches based on the course the thread takes in each stitch, using O and U when the working thread passes over or under other threads.  Third, Norlund uses a system that combines the number of loops intersected with the course the thread takes. Finally, there is the ‘user friendly’ method where stitches are named for the location where they were first found.   I will be using the “on the thumb” method for my nalbinding examples here, but there are many resources for off the thumb methods as well.  I am right handed, so the directions below are for right handed stitching.   Again there are quite a few sets of directions online for left handed methods.  I did not print those out as “lefties” account for only 2.5% of earth’s population.   

Starting

Again Nalbinding is done with sections of yarn.  Most people will learn with 5-6 foot sections.  As you get more comfortable feel free to lengthen your sections.   As with everything else in nålbinding, there are two methods to starting:  On a loop, or with free chain.  I will be teaching the free chain method in class. 



1) Make and overhand knot in your yarn. Hold it in your hand with the short tail to the right. Hold the base of this loop between your left thumb and forefinger.
2)Wrap the long end (needle end)around your thumb, catching the loop


1st Stitch- Oslo- uu/ooo
This was the first stitch I Learned and once I got my brain wrapped around to concept it was an instant favorite. 
Step 1:  make an overhand knot around your left thumb.
Step 2:  wrap around thumb.  Put needle in from the back, under the loop and cross over and snug against the thumb. Slide loop carefully off the thumb and pinch between thumb and forefinger.
Step 3:  put needle into newest loop from the front, fold needle over and push under the thumb loop from the back and under the fold over.   Slide previous thumb loop off and pinch.   Snug new loop on thumb
Step 4:  repeat step 3 until length desired.
Step 5:  connecting- pick up loop from previous row and continue as usual.

2nd Stitch- York- uo/uoo
Step 1: over hand knot on left thumb.  Make a second loop between thumb and forefinger and sliding needle through the thumb loop from the back.  Pull snug.
Step 2:  pass needle through both loops from the back.
Step 3: slide thumb loop off and snug up.
Step 4:  Repeat until desired length.
Step 5:  connecting- pick up 2 loops from below, from the front angled towards the left, continue stitch as normal.

Making a Circle (Connecting)
In order to make anything you need to be able to connect your stitches to those underneath them, or make a circular shape. Once your chain is long enough to wrap the body part in question, you pull the tail around and pick up previous stitches, before making a stitch as normal. There are two options when connecting. You can make 1 or 2 connections.  One connection will make a lighter, more elastic item. To do this, pick up a single stitch from the previous round.   Each stitch will be picked up only once.  Two connections will make a denser, sturdier item. To do this, pick up two stitches from the previous round. On the next stitch pick up one previously connected stitch and a new one.  Each stitch will be picked up twice. One connection - a single stitch from the previous round is picked up, Two connections – two stitches are picked up from the previous round
Shaping
Increasing is accomplished by making two stitches with exactly the same path, essentially doubling the number of stitches ‘above’ the old one.  Decreasing is done in just the reverse; two sets of connecting loops are picked up from the row below the current stitch.


Also check out this amazing site for more Nalbinding stitches!  This site also has wonderful instructions for lefties!    http://www.en.neulakintaat.fi/1

Barony of Granite Mountain Arts and Science Collegium Spinning Handout

Spinning Basics
M’Lady Raithnat O’Braonain


This is a mostly hands on class.  This hand out will be a high level overview and a listing of a lot of wonderful sources for additional learning/ documentation.  My class uses fibers that are donated by local suppliers and are usually prepared for spinning by myself and students who wish to learn how to process fleece.  They are not mill processed.  They are received in the grease and full of Veggie Matter, among other things.  I cold water process my fleeces as I have not found any records showing washing wool before spinning in hot water.  Rather I have heard and read about river washing methods prior to shearing.  Anyone who has played in a river knows THEY ARE COLD!  J
The Fiber We are Using Today
I used the new Dawn Soap that promises an overnight soak in just a few minutes.  Castille soap is closer to accurate processing for the times we represent, but Dawn was less expensive and goes a LONG way.  The fleece is still in partial grease.  This means you will feel the lanolin still in it.  This can be an irritant to some people so please be aware of this.  If you start to itch or develop a slight rash, stop spinning, and go wash your hands immediately.  This could be a sensitivity to the wool or the lanolin.  Spinning in the grease for those who do not have sensitivities or alleries to it has some great benefits including soft hands when you are done ( love that part) and a water resistant fabric once woven/ nalbound/knit.
This particular fleece we are using today came from a sheep named June.  She is 2 yrs old and had her first lamb this year.  She is a Suffolk Cross from champion bloodlines.  The ranch that she comes from Raises Suffolk Crosses for FFA and 4H students.  She donated 4 fleeces this year to my 4F (Friendless Fiber Foster Farm) The animal is raised and cared for in Kingman AZ and is a pampered baby to be sure.  JSuffolk sheep are primarily a meat breed, only recently being bred for wool as well.  It is considered a medium wool.  With the staple length today between 2-5 inches  I have separated the lengths  with the longer lengths being processed into roving coils, and the shorter fibers being made into rolags (the sticks)
The spindles we are using were made by a member of my Shire who wanted to know how to make spindles.
Interesting tidbits about spinning:
Spinning on a spindle goes WELL beyond our Current Era, and continues in many countries today.  There are as many types of spindles as there are regions that use them.
No one knows for sure when Spinning first began, or even who made the first spinning wheel.
Some earlier illuminations from china in the 900’s show a woman working what at first glance looks like a spinning wheel, but turns out to be a silk reeler.  I can easily see how a reeling machine evolved into what we use today.
Painting and illuminations throughout Europe show Spinning from a spindle and distaff to a bobbin and flyer treadle wheel during our timeframe.  Bobbin and flyer wheels were VERY late period for us but did exhist in the latter half of the 16th Century (1500’s) before then there were spindle/ quill wheels, so named, because you spun off a spindle that was sideways. This was powered by a power wheel and drive band.  The treadle that we see on most modern wheels is also VERY late period but did exhist.  Most wheels during our time however were painted or drawn with hand cranks.  There are even pictures of Wheels small enough to sit in a ladies lap to spin on and quite ornate. Prior to the spindle wheel though you see oodles of paintings and illuminations using spindles.
Spindles are basically made up of a shaft and a weighted wheel called a whorl.  These whorls were made of many things including cast metal.  There have been many findings of whorls from our time but not many shafts.  It is presumed that the shafts were mainly made of wood.  A notable museum showcase in England shows one of the rare finds of a iron forged spindle complete with hook.
I will be putting this hand out up on my Blog page and will add to the below listings as I have the chance and find the new goodies to share.  Happy spinning!


Places to look up and read when you have time for more information:
Twitchell, Linda. Spinning With a Medieval Twist. The Compleat Anachronist, 1996.
Ancient History of the Spinning Wheel by F.M. Feldhaus in Heidelburg, Germany
Barber, Elizabeth, Women's Work The First 20,000 Years: Women, Cloth and Society in Early Times.
W.W. Norton & Co., Inc., London. 1994. ISBN 0-393-03506-0.
Spin Span Spin. Hockber & Hockberg, USA. 1979 ISBN 0-9600990-3-4
(this is the google books link to the cambridge book.  Takes you straight to the page discussed)



Hochberg, Bette. Handspinner's Handbook , Hochberg & Hockburg, USA. 1976. ISBN 0-9600990-5-0
Handspindles. Hochberg& Hockberg, USA. 1977. ISBN 0-9600990-2-6
James, Peter and Nick Thorpe. Ancient Inventions. Random House, Inc. New York.1994. ISBN 0-345-40102-6
Grenander Nyberg, Gertrud. "Spinning Implements of the Viking Age from Elisenhof in the Light of Ethnological Studies," Textiles in Northern Archaeology, ed. Penelope Walton and John-Peter Wild, pp. 73-84. North European Symposium for Archaeological Textiles 3 [NESAT 3]. London: Archetype Publications, 1990. (ISBN 1-873132-05-0)
Øye, Ingvild. Textile Equipment and Its Working Environment, Bryggen in Bergen c 1150 - 1500. The Bryggen Papers, Main Series, Vol. 2. Oslo: Norwegian University Press, 1988. (ISBN 82-00-02537-3)
Statistical and comparative analyses of 410 whorls and 31 spindles from twelfth through fifteenth century Bergen, Norway.
Walton Rogers, Penelope. Textile Production at 16-22 Coppergate. The Archaeology of York, vol. 17, Fascicule 11. York: Council for British Archaeology, 1997. (ISBN 1-872414-76-1)
Careful analysis of 149 whorls and 5 spindles from York, England, in periods ranging from the ninth through the fifteenth century. Lots of line drawings! Useful catalogue in the back.
Cambridge History of Western Textiles, Volume 1 ( 2003)- Check out the section called “Medieval Woolens:  Textiles, Technology and Organization”  around page 203 


Websites: